
Michael Guy's 2nd published CD has him back "on land" and takes a more Americana Jazz approach, even a country/folk influence in two of the included song backings from his original lyric songs. There are no lyric vocal performances here, but he does use his voice in Jazz Vocalize on 2 of the jazz/blues tracks. And speaking of the blues, his very progressive piano jazz blues is again in evidence in a studio recorded track putting back out to sea again in a newly composed "SEA of Bb Minor Blues" a neatly arranged piano solo with touches of organ. Also is given a live performance of his year 2000 jazz blues a little influenced by Monk's "Round Midnight" entitled: "Didn't Go as Planned Blues" - As a composer he then takes his jazz blue-scaled influenced writing into the Baroque classical world in 2 selections from his "The Blue Fugue" including the infectiously Baroque almost pop beat of pizzicato strings and vibes in his "Perpetuem Mobile".Before the final OUTRO of this CD he also re-invents his love and study of classical/modern forms in a short, emotional piano embellishment on a Theme from his PIANO SONATA #1. This difficult to play but rich harmonic theme was actually composed between college music classes nearly 30 years ago and has recently been re-edited for publishing. The very classical-influenced theme in A minor is given a rich improvised setting freeing it from a strict classical style of playing and in the process making for a serene and perfect piano performance.
But most telling is his already proven to be popular synthesizer and digital pad orchestrated keyboard song: "IN MEMORY ONLY" whose emotional, nostalgic G major richly voiced chordal theme was written to memorialize his deceased mother who died in 2005. Its theme is even used as the INTRO and OUTRO of this very personal CD and its almost tear-dropping emotion leaves the work as a whole shimmering with a joyous gratitude for loved ones and dear deceased pets. Once again composer Michael Guy refuses to produce CDs that are a litany of one style of music or one style of writing. He takes this music through the range of what jazz /blues and country/folk influenced sytles can go as well as personally innovating in his fusion of classical composition into modern forms.
At the same time he leaves a very personal imprint and a human glow of emotional dedication.
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